â1600 Pennâ was clearly designed to be good silly fun.
It nails one out of three. Itâs silly. Itâs not much fun, though. Itâs also not much good.
NBC aired a âsneak previewâ back on Dec. 17, and on Thursday the network bravely brings it back to launch its official run.
The premise is that an annoying family of sitcom stereotypes moves into the White House because Daddy (Dale Gilchrist, played by Bill Pullman) somehow got elected President.
The clan includes insecure stepmom Emily (Jenna Elfman) and smart-aleck daughter Becca (Martha MacIsaac).
Mostly it includes manic son Skip (Josh Gad). For long stretches â1600 Pennâ plays like a one-man Skip show where not even the President has the authority to yell âCut.â
Skip does or says something ridiculous. He compounds it with something even more ridiculous. Everyone rolls their eyes, things start to fall apart and then, wham, it all dissolves into a group hug.
Welcome to an unwritten rule of sitcoms. Whenever an obnoxious kid acts totally self-centered and oblivious, it means that underneath he has a true, good, smart, sweet and pure heart.
In the end, sitcoms like â1600 Pennâ tell us, we have no choice except to say, âAw, câmere, ya big lug!â
In real life, though, we do have a choice. We can find him simply tiresome.
Now thereâs nothing sacrilegious about imagining goofballs in the White House. Some old-timers will remember Billy Carter, who parlayed his brother Jimmyâs real-life presidency into marketing his own line of mediocre âBilly Beer.â
But â1600 Pennâ mines none of the more subtle and satisfying possibilities of poking fun at a staid institution. Itâs more like a drug-fueled âSaturday Night Liveâ sketch that won't end.
Fortunately, â1600 Pennâ probably will.
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